“Love,” Percy Shelley writes. “Not only senses, but our nature, our intelligence, imagination, our whole hype, our sensitivity. And when individualized, it becomes an essential need.” “Love” was also the first word on Deerhoof’s latest album, the title was drawn from Mary Shelley’s Frankensteinand it is the subject of the song they are trying to dream of the “immigrant song” of conclusion. Nominal indication of FrankensteinBut the enigma matches the album’s dense assortment of different elements. This seems to be the most mechanical and even the monster alive, but it also has sensitivity to creatures that do not match Captain Robert Walton’s Victor Frankenstein’s description. Noble and godlike in abandonedFollow-up 2023 Miracle levelhumanly messy, rebellious, and pretty lovely with Percy Shelley’s holistic and visceral definition. If you subscribe to it, these songs may be for you.
1. Overrated species anyway
On a wild swirl of guitar, drums and chirp sounds, the opening track of the album is for who these songs are for, or at least “My Wild AV”, “My Alien”, “My Animal”, and Satomi Mutsuzaki sings with complete kindness. It is not difficult to reach the conclusion of the title, quickly framed the album as a political call, proclaiming it asserting this power in its most authoritative form, while opposing dehumanization.
2. Sparrow’s sparrow
“An Overrated Species Anyway” and “Sparrow Sparrow” were released as Double-A singles that benefited Trevor Project, an Anonprofit Suicide Prevention Organization for LGBTQ+ Youth. Not only is the song inexplicable, but the disenfranchised beings addressed to the former are warned by the band’s desperately complicated rhythms, and at the same time warned them to be natural and unwieldy, feeding each other as if they were portrayed. “Hope builds inside one person/who is suffering/who is alone,” Matsuzaki sings empathically. Collective – hosts, if they do – too.
3. King To
When I first heard the refrain “I build a machine/and you’re one” I thought it followed “Unless you want it.” That made me think want As a human prerequisite, however, “Kingto” is naturally a bit stupid, fun and whimsical, but nothing more. you Create a machine and tease it all Unless there is. Bio describes the record “cybernetic and deep human,” but “King Toh” is not about contradictions, but about a curious intersection.
4. Firetrickstar’s Return Return
Deerhoof is a band that always seems to be returning to something fundamental about themselves, breaking apart by feeling of identity. This does not mean that it has nothing to do with “returning Fire Trick Star’s return.” Except that the title is a classic sounding Deerhoof song that hints at a constant cycle. First, the sick bass line. But all the other elements arrive to bring out the strange mix and the strange mix of darkness, whether it’s a creepy string section or a funky guitar, as if the aforementioned protagonist explains the blurry lines. But it is also playful and pointless, and its outstanding line “raising me” It’s pretty much like a butter cup. ”
5. Mirror body
Like the noble and godlike of abandoned, it is more firmly and firmly abolished in an ominous direction with a “mirror body.” Production blows away a fantastic and mysterious journey, as if crushing it to its core. I’m not satisfied with the desire to go home.
6. Ha, ha ha ha ha ha
a Phonetics For the deer space Ha exchange la and ba It’s hilarious bomb. Here, the Frankenstein monster on the record is aside for the protagonist, to compare it to Pinocchio, another creation the protagonist wants to embrace. There’s so much going on in the song that to accompany revelation, the groove quickly mangles and leads to one of the album’s loudest passages.
7. Dissatisfaction
what do you I look forward to it From a deer-like song called “disobedience”? Some kind of adherence to form? The song is a perfect star vein, but my favorite part is when I realize that the monster is literally screaming “Adrift!” and that I am drifting myself. This dissonance is not sufficient for Deahhof, and the next mucosa is fractured and grooveréed, leaving behind an even larger mark. It is sufficient to own the closed spoken passages.
8. Who are you rooted for?
The song features roughly as mean riffs as Matsuzaki’s lyrics about “The Naughty Friends.” (“You’re not my ally,” she makes it clear.) Of course. My field ave Free sound!
9. Under the rat [feat. Saul Williams]
Saul Williams has fully won the album’s only guest appearance, with Dearhof’s freak-Nay, acclaiming the activism and climate unrest of Friejazz in “The Under Rat.” So far, it’s a more obvious commentary on the subject that has come up in a rather oblique elemental way. “I may not be human, but I know what every human knows. The song has a song about brushing the booming low end with thrills, not to mention the conclusion of its absurd symphony.
10. Immigration song
One sequel to “Exit Only,” “The Song of Immigration,” which has been more than a decade, falls into the same vein as the foresightful. This foregrounds the radical spirit that permeates the rest of the album, although albeit a philosophical one. “This song we sing is not for you,” she sings. However, look at the song title and emphasize the plural form. Not only is there a few songs furiously stitched together here, but at first it brings the most “smellless” version of the Deer Hoof, but the last section tears it all. Freakout, where “Darlara” nails nails, nails the point in its language you I couldn’t understand.
Source: Our Culture – ourculturemag.com
