We focused quite a bit on our work here. Delia Derbyshirea pioneering electronic composer of the mid-20th century – plays two documentaries about her and discusses her role. largely Create a Paul McCartney “Yesterday” electronic backing track. There is a good reason to pay great attention to her: Derbyshire’s work BBC Radiophonic Workshop Today we laid the bedrock for a lot of the sound design we heard on TV and on radio.
And, as I pointed out before, her electronic music recorded with her own name and the band’s white noise, which inspired “from Aphex Twin and The Chemical Brothers to Orbital’s Paul Hartnoll.”
However, Derbyshire and her music remain fairly vague about all her influences between dance music composers and sound effects wizards. This excludes one composition that can be readily recognized as the original theme of the BBC sci-fi hit. Doctor Who (Listen to it at the top), “The most famous works of the technician ragtag group,” I’m writing Atlantic OceanWritten by composer Ron Grener, “Unconsciously helped a course of music in the 20th century.” The song was actually brought to life by radiophonic workshops, especially Derbyshire. The story of Doctor Who The creation of the theme is just as interesting as the song “Split, hiss, pulsating.” Just above, you can see Derbyshire and her assistant Dick Mills speak with ease.
What they learn from is fascinating, given that such a configuration is created with a powerful computer system with numerous individual tracks and digital effects. Doctor Who Meanwhile, the theme recorded in 1963 took place even before basic analog synthesizers were used. “There are no musicians,” says Mills. “There were no synthesizers. At the time, we didn’t even have two tracks or stereo machines. (In spite of the general misconceptions, the theme was Theremin is not a feature. ) Derbyshire checks. Every part of the song was “built on 14-inch monotape,” she says, using recording techniques such as “white noise with filters” and what’s called “wobbulator.” How were all these painstakingly constructed individual parts all combined without multitrack technology? “We made three separate tapes,” explains Derbyshire. I pressed all the “Start” buttons at once. ”
The theme came when Grainer received a committee from the BBC after a well-received work in other series. He “constructed the themes on one sheet of A4 manuscript,” wrote Mark Ayers. Extensive online history“And then sent it from his home in Portugal and left the workshop and started working on it.” MusiqueConcrète The techniques used by Derbyshire and her team “had been very time-consuming, and Grein provided a very simple composition. Essentially, they provided vaguely and exciting instructions for orchestrations such as “The Wind Bubbles” and “Cloud.” “This was a gift for creative radiophonic composers such as Delia Derbyshire,” Ayers said. “Listen to that.” Atlantic Ocean “A very impressed Grayner saw little recognition of it as his composition. The BBC policy of the time made him challenge him, but he is still officially praised as the only author.” However, this futuristic work credit is nothing more than time, and “produced to the way of a former wide audience that was exclusive to modernism, which was once an experimental structured high-construction modernism,” but should go as well with Derbyshire and her team. It contrasts with that advance original theme with all the iterations you follow in the video above.
Note: Previous versions of this post were published on our site in 2016.
Related content:
Listening to a 7-hour woman making electronic music (1938-2014)
Two documentaries introduce Delia Derbyshire, a pioneer in electronic music
Meet four women who have pioneered electronic music: Daphne Orum, Laurie Spiegel, Elian Rudzig and Pauline Oliveros
Josh Jones He is a writer and musician based in Durham, North Carolina.
Source: Open Culture – www.openculture.com
