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GenZStyle > Blog > Culture > How Nick Drake’s “River Man” Has Captivated Generation after Generation of Listeners
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How Nick Drake’s “River Man” Has Captivated Generation after Generation of Listeners

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Last updated: June 8, 2026 12:55 pm
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How Nick Drake’s “River Man” Has Captivated Generation after Generation of Listeners
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In 1999, Volkswagen Golf Mk3 Cabrio TV commercial. As pop culture history remembers, the dealership was immediately flooded with calls, but no calls were received from people inquiring about the car. Rather, they wanted to know the name of the song on the soundtrack for an advertising video of a top-down night drive to a house party. What they knew was that it was a new single by a young up-and-comer with an acoustic guitar and a sensibility exquisite enough to cut through the sound and intensity of turn-of-the-millennium pop. In fact, the song was released 27 years ago, and the artist has been dead for 25 of those years. Thus began the belated rise to stardom of unknown British singer-songwriter Nick Drake.

“Pink Moon”, a VW Spot song (a late alternative to an 80’s Church hit) “Under the Milky Way”) was the title cut from Drake’s third and final album, ending a recording career that lasted less than three years. It started with its debut in 1969. 5 leaves left. If listeners in the late ’90s had picked up this song out of curiosity, or downloaded it from a file-sharing network, as has become possible these days, they would hardly have been disappointed, but they probably wouldn’t have been ready to hear the second song just yet. “River Man”

Described by Ian MacDonald as “one of the greatest masterpieces of post-war British popular music”, the song combines Drake’s haunting, evocative lyricism and unconventional guitar tuning with rich layers of orchestrated strings that stop just short of quiet, all in jazz 5/4 time.

As music YouTuber Charles Cornell points out: Video at the top of the postyou’ll definitely recognize Dave Brubeck’s time signature. “Take Five” Therefore, a very unusual rhythm feels natural. Like “River Man,” the more you listen to it, the more musically bold it sounds, even if you don’t have the theoretical language to describe it like Cornell does. For example, there’s no chorus, which wouldn’t have helped its chances of getting radio airplay at the time. The song’s sombre, introspective vibe also couldn’t have been better. “The counterculture was like a carnival, and its optimism was forced,” MacDonald writes. “Drake thought deeper.” Indeed, it’s not impossible to read this song as a Blakean, Buddhist allegory of an individual faced with a choice between the concrete, cyclical reality of the human condition and the unknown territory beyond.

Drake composed “River Man” during his short time at Cambridge, and a book written about him quotes a contemporary acquaintance as saying that it was a significant step forward in his artistic evolution. meanwhile, 5 leaves left On the sessions, he sang live with the orchestra and played guitar, but the arrangements (by bandleader Harry Robinson, then known on British television for his novelty band Lord Rockingham’s XI) filled in the spaces Drake intentionally left in the compositions. In other words, the strings were an integral part of the song, rather than an attempt to soften it, as Phil Spector would do on the Beatles’ “The Long and Winding Road” the following year. drake solo Performance on BBC Radio 2 night ride (a broadcast hosted by none other than John Peel) sounds appealing, but it’s incomplete. in 5 leaves left In this version, all the elements work together to make “River Man” enduring and transcendent in every sense of the word.

Related content:

A documentary introducing Nick Drake, whose unforgettable and influential song was born 50 years ago today.

How John Lennon wrote the Beatles’ greatest song, ‘A Day in the Life’

How Joni Mitchell wrote the music festival’s defining song, “Woodstock,” even though she wasn’t there (1969)

How Grace Slick wrote ‘White Rabbit’: A 1960s classic inspired by LSD, Lewis Carroll and Miles Davis sketch of spainhypocritical parents

Paul Simon tells us how he wrote Bridge Over Troubled Water (1970)

How a fake cartoon band made “Sugar Sugar” the biggest hit single of 1969

Based in Seoul, Colin Mbemust write and broadcastIt’s about cities, languages ​​and cultures. he is the author of the newsletter books about cities books as well Home page (I won’t summarize Korea) and korean newtro. Follow him on the social network formerly known as Twitter. @Colinbemust.

Source: Open Culture – www.openculture.com

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