Miles Davis did not release a studio album from 1973 to mid-1981. In explaining the reasons for this Rakuna recording career, the milesonist can point out a variety of factors in the professional and personal life of men. But one in particular is looming large: his 1972 album failure On the corner. Davis was not known for occupying the jazz style very long and gently placed it; On the corner In the session, you can see that he is very breaking the jazz itself. To regain the attention of young black listeners, he plunged into a mix of what he later described as “Stockhausen and Funk Plus Ornet Coleman.”
“Miles wanted the kids who were obsessed with rocks.” I’m writing Jazz Time‘Colin Fleming. “That was the target demonstration, the audience they’ve been courting since the 1970s. Brewing of a bitch. He plays for that audience on the Psychedelic Ballroom Circuit, for example with rock groups he didn’t respect as a musician (for example, Steve Miller Band). Davis thought he was taking it slowly while sharing such a bill, but he also believed in the listening skills of young people. This is usually wise. “The seemingly incongruous combination of the resulting musical experience and desire led him to collaborators such as Herbie Hancock, John McLaughlin, Chick Collia and James Mchume.
Once released, On the corner “A fake taste, a humiliation to listeners, a fake perpetrated by a man who wanted to rub your face against the most uncomfortable things just because he thought he could.” Still, I heard it in this era – as I hadn’t done so long ago Hearing the whole discography of Davis – You will have trouble understanding the cause of the crime. Certainly, listeners in the 21st century may do more Corky McCoy’s infamous cover artwith its stereotypical street scenes, from prostitutes to pimps, hustlers and gays. This image is called “Get Derrick.” This could also be labelled as inchote musical subgenre Davis was trying to forge.
Culture has long been catching up with certain Sonic experiments On the corner“In recent years, it has been hailed as an album about hip-hop, funk, post-punk, electronica, and other popular music with recurring beats. However, when you join those ranks, you rarely notice the textures of popular genres and sonic collage shares of the past few decades. Spanish sketch, In a quiet wayand Brewing of a bitch). Maybe when all this got a little more in the early ’70s, Davis had no choice but to take a break.
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Based in Seoul Colin marshall Write and broadcasting stationTS about cities, languages, and culture. His projects include the Substack Newsletter Books about cities And the book The Stateless City: Walking through 21st century Los Angeles. Follow him on social networks previously known as Twitter @colinmarshall.
Source: Open Culture – www.openculture.com
