Inside eight of the best fashion designers’ homes

When fashion people bring their creativity to their homes, they create tactile interiors that visitors want to wear. “When you walk into a space like that, it’s just shocking,” Australian photographer, author and director Robin Lee told the BBC. Rhea’s latest photo collection, This Creative Life – Home Fashion DesignerPublished this month, it features the catwalks of 18 homes, all owned by leading fashion creators.

This book was born out of Leah’s curiosity and passion for design. “I’m interested in the origins of the creative spirit and where it comes from and why people need to create,” she says. She says it’s a piece that explores “the synergy between fashion design and interiors, and how they’re really one visual language.” These fashion designers don’t just wear their designs, they live them. “They don’t see any boundaries,” Leah added. For them, the clothes they wear and the house they live in are the same thing. We will introduce 8 interior designs from this book.

Doric columns and a giant mirror ball are installed at the entrance of British designer Alice Temperley’s Regency mansion in Somerset, England. It’s an aesthetic described in the book as “bohemian mansion lady meets rock chick.” Inside, the experience is like slipping through her rails Gorgeous dress with luxurious embroidery. There are gold accents and sparkles throughout. Textiles with bold patterns. And the dress “hangs like a painting,” Lee writes. The house is “just packed with fabric and color, and it’s a really wild ride.” In the library, a marmalade-colored domed ceiling pops over royal blue sofas and armchairs, creating a play of complementary colors. The swirls and animal prints on the seat covers are the result of a collaboration with textile and wallcovering designer Romo. Temperley London’s patterns and prints have been reimagined for homeware, embodying the natural harmony between fashion and interior design.

Australian milliner Tamasin Dale’s Melbourne and Castlemaine estate is home to a collection of houses and hats. “She’s into handmade things,” Leah explains. As a child, she would make things and sell them at local craft markets. Her home tells a story of this impulsive industry and creativity. It is dominated by natural straw-colored materials, reminiscent of the weave of her hats. Her kitchen, for example, is lined with hand-woven baskets and vintage wicker Marcel Breuer chairs. Hatter’s own sculptures, china and pottery are scattered throughout her home. “Again, it’s a fascination with three-dimensional forms. She’s not only interested in surface textures, but also in fusing those shapes into forms that express her beauty. “We can see that,” says Lee. “So whether it’s a bowl or a hat, it comes from the same place.”

Luke Edward Hall, the creative polymath who founded his own fashion label chateau orlando In 2022, she shares a stone farmhouse in Gloucestershire with her husband, interior and furniture designer Duncan Campbell, and their two whippets. His designs and collaborations reflect his love for the eccentric British upper class, including striped waistcoats, patterned tank tops, corduroy blazers, and velvet slippers, which echo his pastoral vibe. Inspires and is inspired by. cotswolds house. The dining room features a dresser full of vintage crockery, a fireplace and an antique Staffordshire dog watching over Pink. flower wallpaper In the bedroom, everything speaks to the nostalgic vision of England that permeates his designs. He says in his book: “The line between my work and personal life is very blurred and all the aesthetics come together, and that’s exactly what I like.”

legendary italian designer, Marquis Emilio Pucci The Renaissance Man (1914-1992), who lived in a Renaissance palace, did not limit his creative vision to fashion, releasing perfumes and household goods, and even dabbled in automobile design. did. According to Lear, he was “one of the first full lifestyle brand designers.” When his daughter Loudomia took over, she took things a step further, bringing the label’s ornate geometric designs to Emilio’s beloved fuchsia pinks and turquoises in the family’s ancestral homeland. Introduced to Palazzo Pucci in Florence. “She really took the brand and brought it into the new millennium and guided it,” Lee says. “Not many people would be brave enough to touch a 14th-century palace and bring such vibrancy and color to it.”

It’s no surprise that Jade Holland-Cooper, the daughter of a arable farmer and fashion designer, designs clothes inspired by the English countryside, including tweed field jackets, quilted gilets and equestrian wear. This love of the outdoors continues at her family home near Cheltenham, where she lives with her husband Julian Dunkerton, co-founder of clothing brand Superdry, and their two children. “Whether you’re designing a room, a garden, or clothing, it’s all the same,” Holland Cooper says in the book. Set on 160 hectares, the neoclassical Bath stone house is filled with natural wood, brown leather and greenery, and features a mudroom lined with Holland Cooper Sherpa-lined Wellington boots. Open ceilings and views bring the outdoors in. “She lives and breathes her brand,” Lee says.

“When I walked into their home, it felt like time stood still,” Lee says of the property that Gary Graham shares with his partner, artist, collector and interior designer Sean Scherer. Famous for his one-off designs that breathe new life into antique materials, Graham is known for his one-off designs, which include banks, post offices, department stores, and other 19th-century buildings that have gone through several renovations and are now filled with people. It is fitting that he should live there. We reuse vintage furniture and fabrics. A perfect example is a bedroom built into the wall. “It looks very cozy, I’d love to come in,” Leah says. “He developed that wallpaper from vintage ginger jars and used the same motif in some of his fashion designs. It’s all very connected.”

“I’m not an interior designer,” Selina Blow insists in This Creative Life, but the saturated colors of the velvets, silks and linens she tailors to the 200-year-old Gloucestershire farmhouse reappears in its color-block decoration. Blow credits this love of color to her mother. My mother missed the bright colors of her hometown in Sri Lanka, so she brought those colors into her family home. “I think Gothic with strong colors has always been my thing,” Blow says. Her dramatic blue bathroom, for example, features a black claw-foot bathtub next to a carefully arranged array of masquerade masks and a hat-wearing bust of her favorite Philip Treacy. Whether you’re an interior designer or not, Blow’s bold aesthetic is here to stay. “It takes a lot of courage and confidence to paint an entire room a really bright blue,” says Lee. “And you can see that she’s wearing the same color jacket that she’s wearing.”

The maximalist London home of Lucinda Chambers, co-founder of fashion label Colville and former fashion director of Vogue, is a far cry from the ’80s squat she once called home, but it’s still in her early days. The bohemian spirit of those days still remains. Mismatched fabrics and bright colors in the living room. Geometric patterns inspired by Colville’s travels are featured throughout, and like her clothes, comfort is key. Building an interior design is a lot like dressing up, says Chambers. “Choose your sofa and table before adding or removing other elements, such as adding earrings, beads, or bags,” she advises. For Chambers, “no boundaries” is what separates the two creative forms. “I decorate my body the same way I decorate the house I live in,” she says.