Well, look at your right on my blog! Scroll down a little and you’ll find my interview Ben Affleck Here in Atlanta for his 2020 film The way home. I love this movie and became a huge fan of Ben and the entire cast! So I saw him on the cover GQ It’s totally surreal and honestly, he’s not wrong in my eyes. I brought him cookies to the set, haha! In him GQ Interviews, he opens up about his life, his family, his father’s dream of becoming a director. Take a peek inside for some highlights!
I was pondering the fact that you may not be considered a very personal actor, but there are many lives in the role you took, whether or not you have a lot of your life A good will hunt, Some of your dads are among them Hollywoodland and Gone Girl, It’s about taking into account fame and spotlight. return, I played alcoholism.
Many of them became apparent later, and perhaps even more obvious. And I knew return, “Okay, look, people know I’m an alcoholic or recovering, I need to have a conversation about this.” I really didn’t care about it. I might have underestimated the degree. He had no ambition to become a national spokesman to retrieve alcoholism. And it’s not because I’m not embarrassed by it or anything. I’ve just been calm for over five years, it’s not at the forefront of my mind. That’s not a central preconception in my life. But at the time, that was definitely something I was struggling and thinking about. I was also fully aware that my own life experiences could bring something that made me feel more realistic and that I thought would connect with more people. Now I have not lost a child, thank God. That was truly the heart of the story. It’s both. It’s a combination. You bring some things to it and you have to imagine someone else.
You are 52 years old. When you make a movie like Accountant 2 So, do you think, “I just have more action movies left?”
Physically? Yes, definitely. I used to be “Oh, I’m going to fight, I’m going to do stunts.” And now I’m so many, “At what point is the stunt performer trying to get in and do this?” part of that because I know they’re better than me. From a completely selfish perspective, you just get tired of hanging. That’s one of the things I was talking about Matt. He’s trying to do this Chris Nolan movie and does a lot of stunt rehearsals. Boy, it’s been a while. Where you really need to learn to fight – this Bone’s Identity A kind of territory.
Does this refer to AI? You now appear to be one of the few people in the industry. “I’m open to that idea.”
No, actually – when I talk about AI, I’m really talking widely about what we need to do as an industry. I personally don’t do AI, but I obviously do AI, but I’m very much looking for what this means for this business and this art form. When I first saw it, I was terrified. I thought: we would be destroyed. What we do is clearly replicated here. And I’m putting all my energy, time and commitment into filming and filming stories, trying to bring them to life. And what I’ve learned is that you can’t actually do that with keystrokes. And in fact, what we’re doing is probably more resistant to AI intermediation than most other jobs, frankly. But it can actually be a useful tool. Part of my enthusiasm around it is because, for example, I really want to be involved in defining the rest of the streams I know that will accompany this. If they are not defined now, it would be much more difficult to do that.
Click to read more here
Production Credits:
photograph Gregory Harris
style George Cortina
hair Teddy Charles At Nevermind Agency
Depending on the skin Joe Strettel Using Sisley Paris
tailoring Suzy & Hasmik Kourinian
Set the design Stephen Beckman New York exposure
Manufacturing Camp Production
comment
Source: Talking With Tami – www.talkingwithtami.com
