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GenZStyle > Blog > Lgbtq > ‘Through the Queer Lens’: Photography’s Role in LGBTQ+ History
Lgbtq

‘Through the Queer Lens’: Photography’s Role in LGBTQ+ History

GenZStyle
Last updated: October 5, 2025 11:44 am
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‘Through the Queer Lens’: Photography’s Role in LGBTQ+ History
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The photos were more than a way to freeze instants all the time. Since the 19th century, cameras have captured many ways in which intimacy, rebellion, and strange people expressed their identity. Through Queer Lens: The History of Photography We will revisit this visual record and unearthed how photos of both survival and celebration of the LGBTQ+ community have turned out.

Keith Haring and van Duboss, artists. Disc Jockey 1983, Andy Warhol. Dye diffusion print. Getty Museum. ©The Andy Warhol Foundation for the Visual Arts, Inc.
Keith Haring and van Duboss, artists. Disc Jockey, 1983, Andy Warhol. Dye diffusion print. Getty Museum. ©The Andy Warhol Foundation for the Visual Arts, Inc.

Visibility Media

From early days, photography provided something other art forms could not: immediacy. Portraits can document forbidden relationships and signal strange identities with subtle gestures. These images were often exchanged privately and provided a form of affirmation in a world that did not allow open recognition.

Even during the period of censorship and erasure, the photos remained lifelines. Many were hidden, destroyed, and oppressed, but survived well enough to testify to the resilience of strange expressions.

Frederick Park and Ernest Boulton, aka Fannie and Stella, circa 1870, Fred Spalding. Essex Record Office, reproduced by D/F 269/1/3712Frederick Park and Ernest Boulton, aka Fannie and Stella, circa 1870, Fred Spalding. Essex Record Office, reproduced by D/F 269/1/3712
Frederick Park and Ernest Boulton, aka Fannie and Stella. Fred Spalding, around 1870. Essex Record Office, reproduced by D/F 269/1/3712
Portrait of Josephine Baker 1925, Baron Adolf de Meyer. Collo type. Getty MuseumPortrait of Josephine Baker 1925, Baron Adolf de Meyer. Collo type. Getty Museum
Portrait of Josephine Baker. 1925, Baron Adolf de Meyer. Collo type. Getty Museum

Reclaiming “Queer”

The exhibition also highlights the complicated history of the term “queer.” For decades it was used as a slur. Today, many people have recall it as the term empowerment and inclusiveness. The text on the wall within the show explains this shift and frags as a broad gender neutral umbrella that acknowledges those who are often overlooked by narrower identifiers rather than as a shaming.

The curator emphasizes that the term is used intentionally and respectfully to honor the diversity of identities expressed in collections.

Shared Archives

Through Queer Lens It highlights the role of photography in building communities and shaping cultures. The exhibition saw private snapshots, stage portraits and later became a touchstone of strange visibility. Each photograph conveys evidence of how individuals navigated identity, connection and survival through changing social landscapes.

A gay con man from around 1939. Printed in 1950, Weesie (Arthur Ferlig). Gelatin silver print. Getty Museum. © International Photography CenterA gay con man from around 1939. Printed in 1950, Weesie (Arthur Ferlig). Gelatin silver print. Getty Museum. © International Photography Center
Gay con artist. Around 1939. Printed in 1950, photographed by Weegee (Arthur Fellig). Gelatin silver print. Getty Museum. © International Photography Center
Neptune (Karim Boualam) 1988, Pierre et Gilles. Hand-drawn photos on canvas. Getty Museum. ©Pierre et GillesNeptune (Karim Boualam) 1988, Pierre et Gilles. Hand-drawn photos on canvas. Getty Museum. ©Pierre et Gilles
Neptune (Karim Boualam). 1988, Photo: Pierre et Gilles. Hand-drawn photos on canvas. Getty Museum. ©Pierre et Gilles

By bringing together these pieces, the show creates a visual archive that resists disappearance. It reminds visitors that queer life was often pushed into margins, but the photos preserved fragments of truth that cannot be completely erased.

Explore the book

The power of photography to capture reality, or intimate approximations, is always intertwined with identity. Since the invention of the camera in 1839, the queer community has used mediums to assert itself, resist erasure and celebrated its connection.

Queerlens Booksit is publicly available to accompany you. Exhibition These themes are being expanded at the J. Paul Getty Museum (June 17 – September 28, 2025). It features essays by scholars and artists exploring strange cultures and identities, along with a rich selection of images, including portraits, visual records of relatives, and documentary photographs of early strange groups and protests.

Angela Seal [now A. Hans Scheirl]. 1993, Photo by Katherine Opie. Silver bleach print. Museum of Modern Art, New York. A gift from Helen Kornbram in honor of Roxana Marcosi. ©Catherine Opie, Courny Regen Projects, Los Angeles, Lehmann Maupin, New York, Hong Kong, London, Seoul, Thomas Dane Gallery, London and NaplesAngela Seal [now A. Hans Scheirl]. 1993, Photo by Katherine Opie. Silver bleach print. Museum of Modern Art, New York. A gift from Helen Kornbram in honor of Roxana Marcosi. ©Catherine Opie, Courny Regen Projects, Los Angeles, Lehmann Maupin, New York, Hong Kong, London, Seoul, Thomas Dane Gallery, London and Naples
Angela Seal [now A. Hans Scheirl]. 1993, Photo by Katherine Opie. Silver bleach print. Museum of Modern Art, New York. A gift from Helen Kornbram in honor of Roxana Marcosi. ©Catherine Opie, Courny Regen Projects, Los Angeles, Lehmann Maupin, New York, Hong Kong, London, Seoul, Thomas Dane Gallery, London and Naples

This volume has become an integral companion to the exhibition, looking deeper into the way photography has formed strange vision for readers. Interested readers can purchase the book here.

Accessibility and Language

In line with the mission of inclusion, the exhibition is featured in both English and Spanish. This dual language approach emphasises the curator’s intentions to make strange history accessible to more audiences and ensure that these stories belong to everyone.

Contents
Visibility MediaReclaiming “Queer”Shared ArchivesExplore the bookAccessibility and Language

Source: Gayety – gayety.com

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TAGGED:HistoryLensLGBTQPhotographysQueerrole
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