If you wanted to know how Guillermo del Toro put together his dream project, you’re in the right lab. Below, we crack open the vault with behind-the-scenes photos from the making of it. frankenstein — Plus, we’ve included the most interesting facts about how this magnificent hand-crafted monster came to life. From an abandoned water tower transformed into a laboratory to Jacob Elordi’s 42-piece prosthetic masterpiece, here’s everything you’ve never seen on screen.
1. Del Toro is working on it. frankenstein Over 10 years.
He calls Mary Shelley’s novels his “Bible” and says he has “lived with her works” throughout his life.
2. The laboratory was built inside an abandoned water tower.
Production designer Tamara Deverell converted a huge multi-story tower into Victor’s laboratory. It features marble floors, a custom spiral staircase and huge circular windows. Circles with the motif of director del Toro’s “Ouroboros” appear everywhere.
3. It took 5 months Just design your lab.
Deverell used 3D models to refine every stone, tile, and shade of green, establishing an unpleasant patina that marks an elegant decline.
4. Set during the Crimean War, the film leans into class tensions and wartime exploitation.
Victor’s experiments are funded by a wealthy benefactor (Christoph Waltz) who profits from the suffering of others.
5. Del Toro didn’t want it to look like a dusty period drama.
He reminded the team: When Mary Shelley wrote this song, it was contemporary, not historical.
6. The creature’s movement is partially inspired by Jacob Elordi’s Golden Retriever.
Elordi studied the innocence and physicality of her beloved dog in order to shape this creature’s emotional softness.
7. Jacob Elordi was fitted with 42 separate prosthetics to become the creature.
Design inspired by marble statues and Corpses of the Crimean War: “Beautiful monsters” made from battlefield victims.
8. The creature is literally a soldier resurrected from a mass grave.
Del Toro claimed that the makeup reflected both fear and beauty, saying, “Victor is not a butcher. He’s trying to create the perfect man.”
9. Played by Mia Goth two You can tell who is who by looking at the characters and their costumes.
She is Victor’s mother (deep red) and Elizabeth (botanical green), visually rooted in life, death, and devotion.
10. Victor Frankenstein’s look includes punk-dandy plaid pants and red gloves.
Costume designer Kate Hawley gave him a rebellious rock star vibe to avoid the “fussiness” of the era.
11. Del Toro had the film edited. every day Under construction.
He arrives at work early every morning to cut yesterday’s footage, a process his editors call the culmination of “lying, cheating, and stealing.”
12. For lighting, they blew out a giant gel outside set.
This created the signature steely blue and amber tones without interfering with the actors’ movement.
13. Del Toro’s Frankenstein and pinocchio They are spiritual brothers.
He said he created these stories in quick succession, much to the chagrin of his parents, and that both stories faced problems. Who would I be without the people who made me who I am?
14. The creature’s first steps mirrored Elordi’s real life.
He said that when filming began, he was “reinventing” himself as a human being, just like a newborn creature.
15. Our entire staff traveled for hours to find the perfect room.
Most of the sets are hand-built and combined with real European locations, such as Wilton House, which was also used in Kubrick’s film. barry lyndon.
16. The score includes a mix of choir, orchestra, church organ, Norwegian violin, and electronics.
Composer Alexandre Desplat describes working with del Toro as “directing an opera from a movie.”
Source: Gayety – gayety.com
