Paul Thomas Anderson’s latest film, a loose adaptation of Thomas Pynchon Battles continue one after anotherthere are many memorable scenes. But for a certain kind of moviegoer, nothing is more memorable than the moment when Leonardo DiCaprio’s stoned protagonist tunes into Gilo Pontecorvo’s broadcast, complete with terrorist attacks, chases, and oblique comedic diversions. battle of algiers. First released in 1966 (and still is) Watch for free on YouTube (in some regions), the picture has now become a staple of film studies for so long that we forget how much it amazed early viewers. Many of them had no idea whether they were watching a war movie or a real Algerian war newsreel.
Among those viewers were major filmmakers, including Stanley Kubrick, who later described all films as “fake documentaries,” and Pontecorvo’s work was a particularly memorable example. Anthony Fulwin, who worked as Kubrick’s personal assistant, remembers the director saying, “You couldn’t really understand what a movie could do until you saw it.” battle of algiers. He was still passionate about this before he died. ”
New StudioBinder video at the top of the post Testimonials from many other authors are also included, including Werner Herzog, Steven Soderbergh, Oliver Stone, Alfonso Cuaron, Spike Lee, Mira Nair, and Christopher Nolan.
Kathryn Bigelow — as a director of films like heart locker and zero dark thirtyknows something about crafting recent military conflicts into compelling, realistic thrillers – Pulled battle of algiers from the top shelf She visits the Criterion Collection closet.. She called it “probably my favorite movie of all time,” adding, “The metronome of tension is almost unbearable, but I say that as a compliment.” Roger Ebert in his youth his contemporary review The film is “too cynical, too true, too cruel, too heartbreaking, and may be a profound cinematic experience that many audiences cannot bear.” algerian warHowever, those who are not interested in Algeria can replace it with another war. ”
Such a “universal frame of reference” is also common to other highlights of the Italian neorealism movement, such as the works of Roberto Rossellini. rome, open cityVittorio De Sica’s bicycle thiefLuchino Visconti’s the earth tremblestheir gritty black-and-white cinematography, their real-life, often still war-torn locations, and their mostly non-professional actors. Despite their venerability, these films remind us how untapped the potential of cinema is, even in the 21st century, when we feel as if we’ve seen it all. Paul Thomas Anderson said: battle of algiers Again, as a cinematic exercise to get excited” – no need to change your mind beforehand.
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Based in Seoul, Colin Mbemust write and broadcastIt’s about cities, languages and cultures. His projects include the Substack newsletter books about cities and a book Stateless City: A Stroll Through Los Angeles in the 21st Century. Follow him on the social network formerly known as Twitter. @Colinbemust.
Source: Open Culture – www.openculture.com
