At the 1965 Newport Folk Festival, Bob Dylan became famously known for his “electric”, and certain supporters alienated him to the folk scene in which he appeared, but set a precedent for the musical adaptation of quick change, like the ones that followed the ’80s. But at the 1964 Newport Folk Festival, there was everything in the future. But even so, the younger Dylan wasn’t shy about making controversial choices. For example, the choice to play “Mr. Tambourine Man” repeats itself in the mid-1960s when we heard it today, but it would not have been enough topic to meet the expectations of folk fans who saw the topic of music as the main strength.
You can see it at the top of the post Colored footage Dylan’s “Mr. Tambourine” performance at the 1964 Newport Folk Festival. Original black and white clip It will be displayed below. Think of the resonances that may have departed in the minds of his youthful, beautiful audience, Limbaugh. Fellini? Buckley Lord? Mardi Gras? Confessions of an opium brewer in English? Dylanologists suggest all of these inspirations and more. Of course, as Dylan himself once said, the central image of the lyrics is that of the guitarist. Bruce Langhornewho played the song as recorded I’ll take it all homeand a musician known for his ownership of the giant tambourine.
Despite lack of reference to the issues that day, “Tambourine Man” reflects a historic moment, with few songs to date. (Some people say that it’s true Byrds cover versiona radio hit that came out just a month after Dylan’s original. ) Dylan himself must have felt that he marked not only the peak of the era, but also his own composition and performance efforts in this particular musical style. He tried to write a follow-up to the song, but his failure to collar showed him progress. Dylan is still I’ll be playing it at a concert todayand a passionate reception from his audience, but in a way that reinvents it every time – he is the same guy who took the stage in Newport 60 years ago, and knows that both “Mr. Tambourine” are the same song, not the same song.
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Based in Seoul Colin marshall Write and broadcasting stationTS about cities, languages, and culture. His projects include the Substack Newsletter Books about cities And the book The Stateless City: Walking through 21st century Los Angeles. Follow him on social networks previously known as Twitter @colinmarshall.
Source: Open Culture – www.openculture.com
