As long as we meet expectations, Hurry tomorrow They couldn’t get much closer to what fans had in mind. The final article of the trilogy including Out of business hours and Dawn FM As expected, it’s gorgeous, overstated and overkilled. This is the only way the weekend has it. With 84 minutes of runtime, the album is eye-opening and towering immersion as many songs have failed to find a point between red and repentance. At one point, he finds joy and falls into a rabbit hole. The middle part of the record is hard to bear, but Abel Tesfay is truly saving the best of last year. Musically, at least we’ll have to wait to see if the attached film that arrived at the theatres later this year makes a difference.
1. wake me up [feat. Justice]
Of course, weeknd begins Hurry tomorrow The vision of the end, and then even what comes: “No posthumous, no other aspects,” the synth glows as his voice becomes cool to Giorgio Moroder’s sample. Scarface Until the score, track comes to life with justice support beats. The bassline alone is enough to get excited about the record.
2. Please cry for me
It’s difficult to choose a better song from the album as a single. If this weren’t a track-by-track review, I wouldn’t think I’d mentioned it. While Metro Boomin and Mike Dean were making, The Weeknd certainly knows how to project IMAX sizes of the most toxic parts of a difficult relationship, but the percussion is very blocky and at that level. It doesn’t even land. And some vocal and production tricks do little to repeat the song and make the self-esteem pleas anymore.
3. I can’t sing
Weekend does a stunning job of seamlessly making his 84-minute epic sound, and “I Can Can’t Cucking Sing” is part of that effort.
4. Sam Paolo [feat. Anitta]
it’s not largely It’s an innovative take from Baile Funk, but it’s impressive how The Weeknd drags it into his world, filmed with pure desire and smooth longing, and fatigue gets caught up in chaos. The five-minute runtime may seem overturned, but it is justified and actually feels persuasive. Certainly a better advanced single.
5. Even the skin and bones
Smart movement to place the transition track after the barrel noise of “Sanpaolo”, and then the sound of illness.
6. I was baptized in fear
“The heartbeat is slow,” Weeknd repeats on the track. This is the experience of near death in the bathtub. It’s a moody, slow week song that says a moody, slow pace, if you’re something nostalgic. This is the first time for this record, but most definitely not the same in the week, but another paralyzed trip down the memory lane.
9. Open your heart
The week can surround everything he wants with melodramatic rose-dollids, but the team with Max Martin injects his shadowy ominous pop with a rush that turns the whole project around. I will. “It’s never easy/I’ll fall in love again,” sings Tesfei. Singing makes it possible.
8. Opening Night
This is a longer interlude, but not more substantial. Moreover, Tesfey is “chronically online” and feels unnecessary specific by an overly emotional lover who ruins the first person on his tour.
9. “laughter” [feat. Travis Scott and Florence + the Machine]
now this It’s a way to punch a façade of mirror-like fame, and everyone in the song understands the challenges. weeknd is hanging in threads. Florence Welch, the voice powerhouse barely heard, supports him through the chorus. Travis Scott, who his vocals promote, skillfully personifies the protagonist, the demon. But it’s a voicemail in the middle of the track, and it’s the voice of Chxrry22 – it’s the coldest on the spine. One last question is hidden: “How does that shit feel anyway?” “laugh” gives us a glimpse.
10. Enjoy the show [feat. Future]
In other words, enjoy the week’s luxuries with some inexplicable chipmunk vocals, his own end mise. Even Tesfaye can’t withstand this level of self-referencing, so Future is here to provide a reference to “I can’t feel my face.” Caustic performance doesn’t gel well with gorgeous arrangements, even if it’s a deliberate juxtaposition. This doesn’t have to be five minutes.
11. He gave up on me
I have been pondering the word “hunger” for most of the rest of the song, and this is what appeals to the beat drop. His desperate pleas aren’t even bitten by “Cry For Me.” Until they collapse into broken piano jazz in the back end of the truly soul-spirable song. Metro Boomin tries to add real pulses to the song, subtly driving the point.
12. I can’t wait to get there
Weeknd’s metamentary works well for me when it’s mysteriously beyond sinister backgrounds. Creator Tyler did well in this way. Chromacopia.
13. Timeless
Again, why was this a big single? Is it just a playvoicing cartis feature? Even the album’s context doesn’t have enough momentum to support this kind of soulless flex. What’s more, at its best, weeknd’s music sounds convincing Out of timenot timeless. It’s no wonder it wasn’t as big as many of Weeknd’s past hits.
14. Niagara Falls
Many of the samples that turn the album’s R&B Ballads samples upside down are bothersome, and this track feels particularly out of place. But it ultimately serves the purpose of that story. And you have to pass it on to the weekend.
15. Go back to Los Angeles
Callback Dawn FM“Escape from LA,” “Take Me Back to LA” could be one of the album’s most moving and obvious cuts. “I put my hands on the fire/and see if I can still cry/That’s when I realized when I dislike it myself” he sang this Imagine it Instead At the Grammy Awards.
16. Big sleep [feat. Giorgo Moroder]
Acclaimed for the song, Giorgo Moroder is enough to cax Tesfay’s truly passionate performance against the song’s creepy opera scale.
17. Please mercy
Max Martin contributes to another of the album’s brightest moments, but this is a little more reserved (and better at it). Sounds like something catching playing 103.5 Dawn FM, but it will be a hit in a better world.
18. drive
“Drive” continues the record’s powerful closing stretch, with a weekend that regains sublime melody and hope for freedom. Or… hunger?
19. Abyss [feat. Lana Del Rey]
I’ll get close to the end of I’ll liven it up tomorrowWeeknd seems willing to give his persona a dignified conclusion. Of course, it’s more likely that he won’t. Lana Del Rey is a familiar voice from Weeknd’s Canon, but hearing this woman’s voice late on the album is especially “Isn’t a threat a promise?” in one of her most dynamic guest performances, she said Let it count.
20. Red horror
Weeknd can’t weave magic around “Red Terror” by Oneohtrix Point, even if Tesfaye has to be nervous to match his song. That’s interesting – the intersection of stardom and parent-child relationships certainly Hot topics – But it mainly serves as a set up for the last two songs.
twenty one. No warning
Weeknd is always self-aware Hurry tomorrowhowever, the severity of “no warning” gives the song a different kind of gravity. So, “I should have been plain, but I can’t afford to be bored.” The moment the beat drops is something that induces goose bumps, but dissolving it so quickly is an even more bold move. The sky looks harsh, just for the sake of drama.
twenty two. hurry tomorrow
“I lied/I’ve finished the loss,” Weekund declares on the final track, singing as if he was already on the other side. Defeat was rarely honest, painless and sounded like heaven. If you want to believe it, acceptance is just a mirage. Balloon house“This is expensive” and the cycle is not broken. Of course, we can believe that it is not. He knew that the hero would die in the end. What we didn’t expect is that Tesfaye gives us a choice for it.
Source: Our Culture – ourculturemag.com
