Ania Ahlborn is known for her ability to weave some of the most anxious fears of deep human trauma. In other words, have you read it? Brothers or seed? I can’t see Perhaps her most innovative yet. With an unknown premise, I can’t see Take the reader on a ride and discover with the characters what is actually going on. So let’s talk about it.
in I can’t seewe meet Isla and Luke Hansen, the parents of five children. Isla is still upset from an emotionally crippled loss, and is with grief when a small child appears at Hansen’s forested borders of isolated Colorado property. He is alone and no one can see. The boy is seemingly nonverbal and they cannot obtain information from him. The couple contacts the appropriate authorities to try and find the boy’s parents and other family members, but no searches will appear. Isla pushes hard to raise him despite the deep reservations of a social worker and her own husband. Luke is very hesitant to push this issue back as it will be the first time since Isla has shown sparks for a while. Therefore, he remains silent. She gives him a name for Rowan and the couple ends up brewing him a house with them.
Rowan’s presence seems to bring new life to Isla. But as he settles down, Luke and their children notice some… something very strange. Something creepy and strange that seems to be contrary to reality itself. This only happens around Rowan. The tension slowly ruptures in fear as Hansen’s family adapts to their new family. New children in the home are very problematic. And the outcome is like a nightmare. What exactly is going on with this child? Where did he come from? Why is no one looking for him? Ania answers all your questions and more, and reaches its peak with one of the most insane and dark endings I have ever read. But if you’ve read any of her other novels, we know it never would have been a nice neat finale.
I can’t see It’s soaked in the pervasive fear that it will accumulate in the corner of your mind and last forever after you place your book. This book pushes several boundaries. Ania offers a odd and unpredictable story enough to keep readers investing in what is unfolding on the page. I can’t see It feels like the real thing, steadily increasing tension and constantly asking us “what’s going on.” Many of the scenes in this novel made me feel like I’m losing my heart. That’s uncomfortable. It’s shocking. That cannot be explained by all logic. That is what Ania is doing her best.
Another Ania also did her best. I can’t seethat she cared about the character for me. Isla, Luke and each of the five children was very well developed. The event takes place from the perspective of each family. I’m brave enough to say, Isla was very annoyed. She was so mad at me and her behavior that I often looked at her. We fully understand that love Isla is not intended, but more importantly, we come to understand why she is acting like her. If the author could piss me off or love the character instead, they did their best. A flawed character can be a huge part of a good book.
The intentional pacing is where I think this book shines. I can’t see It is a patient novel and reveals information, so slowly pulls back the curtains. The atmosphere of this book is soaked with low levels of anxiety that you may feel as you enter a room with heavy dust and memories of years. You can’t put your finger exactly why it’s wrong. The fear lies in the shadows, and readers speculate and reflect until Ania pushes us violently into the light, revealing what is actually happening in Hansen’s house.
Horror fans, you don’t want to miss this. I got hooked on this story, I’m reading it in 2 days. Since then it has stayed in the shade with me. The ending is obviously vague, but I’m the type of reader who loves it. Thank you to Sydney Gallery books Please send me a copy for review. You definitely should pick this up when publishing on August 19, 2025 where you buy the book!
Ania Earlborn Born in Sieenkau, Poland, he has been drawn to the dark, mysterious, and sometimes pathological aspects of life. Her early childhood memories are raw holes in the chain link fence that separates her family’s home from the large wooded cemetery next door. She spent hours between the gravestones, splitting up bouquets of silk flowers so that everyone has an equal share. Ania’s novels have been praised by publishers Weekly, The New York Daily News, The New York Times and more.
Images courtesy of the gallery book
Do you have strong thoughts about this piece you need to share? Or is there something else you want to talk to with your fellow fundamentals? Heading to our community A server to join the conversation!
Source: The Fandomentals – www.thefandomentals.com
