However, the film turns into a cleverly reversed rom-com when Theo’s career crashes while Ivy’s restaurant takes off. I’ll see the rose fall Outside Of love. Unlike the beginning of their relationship, the end does not occur overnight. Theo is a father who works from home and is increasingly resenting. Ivy builds a restaurant empire, featured in spreadsheets and magazine photo shoots, with little time for the family. The film approaches unpleasantly positioning her as an ambitious woman who ignores her husband and children for her job, but fortunately she does not tilt above that line as she acknowledges how important their careers are to both Theo and Ivy.
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Throughout, Colman and Cumberbatch’s performances make the dialogue much more interesting than printed matter. When Ivy asks Hal if he wants Negroni, the AI ​​has to respond, “I have no desire or need.” listen Colman responds in a light but loaded way: “Marry me.” The surprising weakness of the film is its support for the crippling role of Rose friends. Andy Samberg plays Theo’s loyal best friend, Barry. He is merely Theo’s foil, citing inertia as the secret to his marriage to his wife, Amy. But Samberg delivers his line with a decent understated spin. Barry, a real estate lawyer, represents his divorced friend and voices the film’s most talked about theme when he tells Theo “divorce is mostly about real estate.”
Roses
Cast: Olivia Colman, Benedict Cumberbatch, Andy Samberg, Kate McKinnon
As Amy comes to the blatantly and enduringly indifferent Theo, Kate McKinnon is too Kate McKinnon. Her role as an oddball feels like a toned down version of her strange Barbie character, not in this film, but in line with her style. In other weaker roles, Jamie Demetriu and Zo Chao are friends Rory and Sally who are constantly shaming Roses. It’s not reliable for Rose to invite this toxic couple to a dinner party, but the characters are there to help the film distort cultural differences. Dinner Party is a raucous set piece, with Barb shaping the roses at each other, keen to sincere hatred from loving teasing. At the dinner table, they can only call out the unwitted insults and names when Rory and Sally try to emulate the dry British wit that has always been Ivy and Theo’s style. These particular Americans don’t have the knack. But the rose itself is a clever, wild and entertaining mix of drawl British humor and shiny Hollywood filmmaking.
★★★★☆
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Source: BBC Culture – www.bbc.com
