In a world where reality TV has long devoured the line between entertainment and execution, Edgar Wright’s running man It suddenly appears on the screen like a glitch in the Matrix of a modern blockbuster. Film adaptation of Stephen King’s 1982 novel mystery of sand Wright (published under the pseudonym of Richard Bachman) delivers high-octane tracking that feels eerily tailored for the age of feed-scrolling. Glen Powell stars as Ben Richards. Ben Richards is a hopeless everyman thrown into a global game show where contestants are hunted by elite hitmen for billions in entertainment. What could have been a pointless remake of Arnold Schwarzenegger’s 1987 cult classic turns out to be a vibrant, pulsating homage to King’s original vision, fiercely satirical, unapologetically thrilling, and laced with Wright’s trademark wit.
Always a master of rhythm, Wright synchronizes his direction to the beating of a ticking clock. His signature edits are perfectly timed cuts that make music out of chaos, elevating any pursuit into a symphony of survival. At the center of the hunt is Glen Powell, whose charisma transforms Ben Richards from nothing into an action hero. His Ben is more than just a stoic action hero. He’s a man frayed at the edges, his every sprint laced with the weight of lost dignity.
Powell’s athleticism shines through in his stunt work, which includes gravity-defying leaps and bruising brawls. Coleman Domingo oozes a sinister charm as slick game show host Bobby T. Michael Cera brings Wright’s comedic DNA to the fore with a gleefully free-flowing performance as a tech-savvy rebel ally.
eventually, running man is director Edgar Wright’s most crowd-pleasing triumph to date, a blockbuster that pays homage to its roots while hurtling toward the future. running man is out now.
- Email: neill@outloudculture.com
Source: OutLoud! Culture – outloudculture.com
