“The Prince of Darkness is Dead” has a distinctly different ring from “The King Is Dead.” If Elvis was the king of rock and roll, The late Ozzy Osbourne He was the patron saint of what came to be called heavy metal. For those who loved him, Ozzy was a Falstafian madman, a perfect performer who brought joy to millions and died just 17 days later His last concert. For others, he bites his head from a pigeon and bat (bat was an accident), urinates in the Alamo, gives him a wealth of medicine, and is trafficked with many of the images of demons haunting rock and roll.
From the beginning, Rock and Roll is immersed in demonic legends, and the most famous is the pioneering bluesman. Robert Johnson’s Faustian Agreement The real Prince of Darkness at a crossroads. This hellish tradition continues unabated as the genre was developed, and it lies in all “black sabbath”. Black Sabbath’s self-titled debut album. To my ears, this song sounds just as innovative as it was in 1970. This includes a loose world of sound that produces everything from slayers and deaths to cones. (The band Coven in the late ’60s also had a song titled “Black Sabbath,” but their playful folk style was more like a Gothic take by Peter, Paul and Mary than anything approaching the Sabbath day’s destiny Juggernaut.)
Tree Forest gave life to answer the question, “What is heavy metal?” My answer is that it has something to do with the unique alchemy of Sabbath’s honorable song.Devil’s Interval,” and a harsh subject. Press the use of the word “metal” Popular terms give this kind of emphasis. One of my old pastors described an incident that occurred before Acts 12 For example, as “metal.” Verse 23 teaches us that self-growing Herod is crushed by the angels of the Lord and “eats by the worms.”
If Elvis was the king of rock and roll, the late Ozzy Osbourne was the patron saint of what came to be called heavy metal.
In particular, he began to embrace his role as the genre’s grandfather, unlike fellow heavy metal pioneers of Led Zeppelin, Black Sabbath and Ozzy. Meanwhile, Robert Plant once expressed embarrassment at the influence of his band, rejecting responsibility for some of the more uncompromising actions of the genre. It is true that Ozzy also occasionally stood up, giving him a good, good-sleeping frankenstein monster that he helped recall. But in the end he sponsors Ozfest, a vast celebration of all these monsters. And Ozzy was friends, mentoring and collaborating with many of the musicians who followed in his Cloven’s footsteps.
Satan sells it, who is buying it?
At the heart of metal there is a strange paradox. The fears with the genre’s devil are explicitly based on a Christian vision of reality. It deviates from that vision too far, and its effectiveness begins to fluctuate. Even the frankly demonic acts of destiny, like merciful destiny, build a rich pageantry in the shadows of the church. This is a tradition that continues to this day with ghost-like bands. An inverted cross means nothing without the cross of Christ. Satan makes little sense if he’s nothing more than a cheap marketing ploy. Later bands like Slayer used the “devil’s panic” of the ’80s to push the pointy tail to extreme limits. However, shocking charms always had expiration dates, and as Christianity’s influence in popular culture continued to fade, sacred violations became less and less. Satan has become a cliché from the devil.
The story behind “Black Sabbath” It may be apocryphal, but that is clearly not ironic. Ozzy somehow managed to get a book of spells from the Middle Ages. When he brought it to bassist and primary Sabbath lyricist Geezer Butler, it got a “strange vibe” from there. That night he awakened to an image just outside the Hammer Horror movie: a black clad statue at the foot of his bed that quickly disappeared in front of him. Determined to wipe out what he had assumed was a problematic book from his house, Butler opened the cupboard and placed it down just to discover it too. From that point on, he refused to have nothing to do with the occult. “It didn’t scare me.”
Inspired by Gustav Holst’s “Mars, The Buninger of War”, Sabbath guitarist Tony Iommi was experimenting with Tritone intervals. The creepy tone reminded me of Butler’s demonic experience, and he began with these cold lines when Ozzy put his pen on paper. The song begins with the sound of heavy rain, separated by church bells. Iommi’s uneasy guitar line crushes that tranquility into deep destiny. The equal parts are harsh and tormented, and Ozzy’s vocals match the foreshadowing atmosphere. What makes the song so scary is the horror of Ozzy’s voice. “Oh, no, no, God, help me!” When I first heard the song, I replayed it in my heart with concern all day, and was captivated with anxiety as I tried to fall asleep that night. Whatever the truth behind the story behind the music, it is difficult to discuss the beliefs of Ozzy’s voice.
“Delusion,” “Iron Man,” “War Pig,” “Sweet Leaf,” “Child of the Grave, “Super Note,” “Symptoms of the Universe,” and “The Sabbath, Bloody Sabbath,” not only have these songs become a long time-consuming year. On the Sabbath, he was ready to venture on his own The Madman’s Diarysongs such as “Crazy Train” and branded “Mr. Crowley” revealed that Ozzy wasn’t leaving the stage anytime soon.
Considering my age, There are no more tears It was the first Ozzy solo record to cross my path. I had a high school friend who is a huge fan of album guitarist Zakk Wylde. heavy metal Graphic novel. Wylde’s rich Gibson tone and signature squeal exploded from the speakers. And then there’s that voice. That’s not a beautiful voice. It’s loud, intermittent, and lump. But that’s a strange joy.
A few years later I came across William Haslitt’s praise of Shakespeare Falstaff. “He is a combination of wisdom and stupidity, the roughness and discrimination of sense and nonsense. But there is such a rich spirit, such a prepared invention, a male character, such a thorough knowledge that he is as fun as the Shakespearean. I can’t imagine a better explanation of Ribald Manman, who was Ozzy. It was difficult not to praise the man’s Titanic vitality, even if his excesses piqued you.
Go home
Like it or not, it doesn’t have a huge success Osborne The reality TV show introduced Ozzy to a whole new generation. This was certainly the way Ozzy entered my own teenage world. Here, Ozzy is far from the natural forces of the Dionysian army, and the audience began to look forward to his stage performances. Instead, he was an attractive and rambling old man suffering from the obvious side effects of drug abuse. Sharon Osborne was portrayed as the true source of sanity and stability in his rocks and their homes. In this sense, her theme song was undoubtedly a frequent and urgent explosion of Ozzy’s “Sharon!”. Faced with domestic adversity.
A peer into their stories, it is soon revealed that Sharon has endured Ozzy in the worst of his mental illness and has taken him to the shore of his sanity. Their 43-year marriage may have been able to love millions from afar, but it is not easy to live with, and not to mention loving up close, it is a testament to her long dedication. In this sense, the most moving part of Ozzy’s final concert wasMom, I’m coming home. “This is his Ode to Sharon, Ozzy is visibly frail on his throne, pushing his failed voice to the limit, reducing the entire stadium to tears.
Is Ozzy home? I certainly hope so.
Source: Christ and Pop Culture – christandpopculture.com
