Stories about age and number one love are so common that you can get tired of reviewers if they don’t pay too much attention. The worst of the nostalgia comes to your hands, but the better ones aren’t nostalgia, they try to capture the colours of past sadness.
All of this means that Josh Cox has a new YouTube miniseries. Our nature. Like all of his works, it’s surprisingly strange, Josh Cox. Cox, a regular filmmaker for the Renaissance, filmed, edited, scored, directed and wrote his own. Cox shoots heartily straight, so you rarely miss it.
Our naturebeing a miniseries is another beast for Cox. An experimental filmmaker, he is delighted to play with new forms and genres when the mood strikes. and Our nature, Cox is by no means a slave to the story, but it feels like he is giving him a barrier to intentionally overcome it.
The result is a miniseries that doesn’t feel like they’re miniseries, similar to a series of vignettes detailing Ellie (Benjamin’s Pier) in her first summer after high school graduation. Of the many things Cox’s script makes it wise, it doesn’t say much about what happened before Our nature It’s beginning. It starts with Ellie’s best friend, Lowen (Alison Newton), and he goes to the hospital to pick him up. Ellie discovers she is struggling with depression along with alienation from his family.
Still, Cox spoons this information, and not Our nature A depression journey in inner struggle. Cox is true to his nature, and instead brings a contemplative quality to the way people find themselves in this world. Ellie meets another young man who has recently appeared, Jonah (Shawn Manucha). It’s a small world and if you’re weird in a small town, it’s small.
Our nature Follows the tentative budding romance between Ellie and Jonah and how it helps Ellie find herself. Cox is careful not to suggest that Jonah will cure Ellie’s depression, but rather helps him to arrive at a tool that will help him deal with it. By the end, Ellie and Jonah find themselves wanting something different.
Cox makes an impressionist look towards storytelling. There are six episodes each in about 10 minutes, but it doesn’t feel like there’s enough story to pass us through. it’s not Our nature There’s a lack of stories. In addition to Elly and Yona, there is a subplot that includes the burgeoning romance between Rowen and the girl she works with. They exist in the margins and Cox only gives us a glimpse into their lives.
The result is a sense of the world that continues to unfold, despite Ellie suffering from his problems and his feelings for Jonah. Not to mention how Ellie wants to stay in her hometown. Jonah wants to see the world. The conflict is subtle and grows into the head, as all other Coxes do.
But what is made Our nature What’s convincing is how Cox uses the camera to observe the pier and Manucha’s face. I don’t know how they hesitantly attack their lines, this feeling inside them, the connection. The background of New England forests and windsweep beaches enhances the melancholy atmosphere. Cox and once again use nature to enhance the tranquility that both men feel when they are together.
Our nature I am less interested in melodrama than a vignette that explores the truth of complex personality. It feels like the short stories are divided into parts. Cox’s use of static shots adds to the way the scene feels like a fleeting snapshot. The scene feels like a slice of time is captured and told from memory.
The pier and manucha have a soft and simple chemistry that sweetens the relationship. They gradually grow into a relationship until the final fracture begins to form. However, Cox refuses to succumb to the ending of the neat Pat story Our nature That emotional weight. I recall the quote from Charles Dickens. “Life is made up of more divisions welded together than ever before. Such divisions must come, and meet when they come.” Like Dickens, Cox understands that people often find each other and then grow apart for countless reasons. Many of them are commonplace nature.
Art and how it helps us deal with our trauma and fear Our nature. Lowen discusses Ellie’s residency at the local museum and considers her application. Ellie then discovers that she writes Jonah in the perfect poem and Nobode. Both try to strive to pursue their dreams for the other. Implicit is the way that both men use creative expression, art as a means for both men to heal and find themselves.
The pier plays Ellie near his chest, but his eyes give him. He tries to find a way out, not as a fragile man, but as a young man captured within himself. Similarly, Manucha’s Yona is open but protected. He is more extroverted, but his cheerful attitude hides his frustration. Ironically, it’s a way to help them realize they want different things from each other.
Cox doesn’t use music. This is because he is a luxury that he cannot afford. But he uses silence in a way that feels like music. In the way he edits scenes and boils his emotions and builds them. My dream is music.
Our nature This series is full of serious, sensual kindness. The fascinating aspect, taking into account Ellie and Jonah’s relationship, is what I call love like Tuesday. They hang together and discuss whatever comes to mind. There are no epic statements or sweeping romantic gestures. Instead, what Cox has given us is the story of two people who vaguely love each other’s souls and feel loved and seen.
Image courtesy of Americana Pictures
Do you have strong thoughts about this piece you need to share? Or is there something else you want to talk to with your fellow fundamentals? Heading to our community A server to join the conversation!
Source: The Fandomentals – www.thefandomentals.com
