rear Our Last A flashback episode showing the deterioration of Joel and Ellie’s relationship, bringing a bit of a breath of life from the plot. The finale left the tall task of leading Season 2 to a natural endpoint. There was considerable evidence before the credits got caught up in this. And while the story isn’t the same, we can now talk more now that this season is over.
Ultimately, “Convergence” did its best, but was at the expense of many suspicious decisions this season Our Last Throughout.
Many people who know well The final part III’ve assumed that the finale will run into a problem that will defeat this episode a bit. Whether you know what will happen or not, this season, Abby’s cliffhanger finds theatre and the beginning of her side of this three days in Seattle is a dissatisfied move that has been counterargued when the match is released, and even worse as TV audiences have to wait for two years or so to continue.
This cliffhanger feels incomplete because none of the plot points that drive the story is resolved. Joel doesn’t care. Ellie doesn’t cross paths with Abby until the last moment, and doesn’t know what happened after Abby pulls the trigger. We don’t even see the culmination of the conflict between WLF and Cerafite. Much of the story is unfinished and left unhappy. This was a major source of debate among game fans when discussing how to adapt. The final part II.
I can’t imagine what this would look like for people new to the game. Our Last It’s going to be four seasons.
Perhaps this episode didn’t feel very unhappy if the rest of the season got better, but as anyone familiar with my previous ideas about the season knows, it wasn’t. This is a season full of pacing issues and also plagues “convergence.”
The episode had to hurry up Ellie’s day 3 event, so these types of pace decisions continued here, but still for some reason they decided to waste time on useless, pointless scenes.
The biggest criminal here is Ellie’s easy washing on Cerafite Island. It’s definitely a terrible scene, and you can waste time on events that don’t have to exist and get to zero overall. This was an idea cut from the game and should have stayed like that as it ultimately didn’t fulfill the required purpose. It is primarily a repetition of the idea that Ceraphyte is contributing to their youth in conflict with the WLF. The most generous read of the scene is that Abby was doing on the island at the same time caused an alarm that saved Ellie’s life, but it was also not necessary.
Even if she was meant to teach Ellie about the cruelty of children in this conflict after Jesse was angry at her anger at Cera Fight alone, she doesn’t need that lesson considering what she’s already seen.
Plus, Serafight leaving Ellie may be one of the most obviously poor plot armor moments you’ve seen on the show. At least they would have still killed her before they ran to the village defense.
These types of decisions illustrate pacing failures. Season 2 of Our Last It was a masterclass in both wasting time and moving too fast. They spend too much time in Jackson and too little in Seattle. They spend the entire episode on Joel and Ellie, but the confession and pouch scenes are in a hurry too. Dina and Ellie gather too late, but commit too quickly. They spent so much time on one thing and were forced to sprint to catch up.
Without this random, unnecessary Cerafite scene, there might have been more room for breathing in other rushing scenes. Maybe they didn’t rush the moments or conversations that needed to occur, and could have given them more time to build and establish in previous episodes.
Our Last It was a desperately long season, but denouncement of the issue of pacing completely on the number of episodes overlooks a wasteful decision that made seven episodes so insufficient for the story.
“Convergence” spends a lot of time trying to assert how far Ellie is. She tells Dyna how easy it is to torture Nora. She clashes openly with Jesse and is justly embarrassed by her for abandoning Tommy to hunt down Abby. Owen and Mel’s deaths are made even more miserable by Mel begging her to give her an urgent c-section to plead with Ellie.
(If I’m honest, that last part will hit me uncomfortable game of thrones Add pregnant Talisa to your red wedding. This seems to be there to make the tragedy already more edgy and dark. )
It all works fine, but I’m amazed at how it works Our Last It removes a lot of intent from Ellie’s worst act from the game. The Owen and Mel scene gives Mel wants a C-section, but Ellie takes Ellie killing the dog Alice. They also caused Mel’s death to an accident. Ellie says he hasn’t killed Nora. Again, the show chose to remove the edges from the story, but I wanted them to react as if it wasn’t.
Overall, it becomes far less capable and brutal than she is in the game, and it becomes less of a consequence that she makes. She simply doesn’t fall on the depths Ellie falling down.
And ultimately, this is why Season 2 was such a disappointment. Ellie comes across as someone who fails to drive the story entirely or depends on whether she is able to take part in the mission she is in.
Our Last It has consistently shown the season that Ellie is unfortunately out of her depths. She would die many times if it wasn’t for someone else. She tends to follow the leads of others rather than in charge. Even in this episode, she does not set off with the belief that Tommy is chasing Abby, but instead follows Jesse’s lead completely until she happens to find the aquarium. Abby is at the aquarium.
She is almost drowsy, blows away by Cerafight, almost exaggerates WLF’s attempts to stop Cerafight from killing him, and continues to stumble over the luck of plot armor forced by the story, not because she is actually a capable person.
These changes were not taken in their own right, but overall, Ellie is much less interesting, intelligent and capable than his game’s counterpart. She comes across more as an unfortunate, annoying child who doesn’t know what she’s doing.
Yes, that’s part of the point that’s going on here, Our Last Also, I want you to believe that Ellie is. Also You can revenge on Abby and sneak into the hospital to get Nora. Spoilers: Ultimately she hugged herself in a battle with Abby before navigating the Santa Barbara snake pit. Meanwhile, everything we saw to her in Season 2 is that Ellie is basically dead in every scenario, if not in any other scenario.
They also hope that she will believe that she will make the decision she will make in this episode, as she is so incredibly focused on her sadness and anger. We’ve seen Ellie almost lack this edge and sadness, so when she suddenly rants with Jesse, it shouldn’t be. That’s a lot of the story right now. For some reason, Our Last I decided to soften many of the dark edges of this story, and as a result I became so powerful emotionally.
I wish they had known why they decided to stand by Ellie’s agency in this story. Are you poor writing decisions? Is it a lack of faith in Bella Ramsey for Ellie to carry the season in the way he carries the game? Both seem to be effective as the writing intentionally downplayed Ellie, and Bella struggles to persuade the material from Part II, just like the more familiar child version of Ellie. Both may play a role here, but no matter the ratio, Ellie fails to be the main character the story needs.
The most interesting part of this episode, and this season, was something other than Ellie. The scene where Isaac talks about Abby with Park is just as engaging bullying in Abby’s story as it gives a glimpse into the attack on Cerafite Island. Dina consistently outperforms Ellie in shared scenes. Joel owned a flashback episode. Jesse controlled the episode, but Ellie was primarily a companion. Season 2 establishes Ellie exactly that way. A companion who can’t control the story, or control episodes, and is unable to carry the seasons in a way that requires premise.
That’s a shame.
There’s a lot of debate about cliffhangers, but in the end it’s not a cruel bullying that reduces the otherwise great season, but a controversial cap for a season that has consistently disappointed me every turn. Our Last Pacing was plagued by poor pacing, and the ridiculous dialogue (doesn’t you really need Jesse to mention that he doesn’t die multiple times?) has reduced exceptional production and acting.
Regarding the discussion The final part III have always been one of those advocates. It wasn’t perfect and wasn’t as memorable as the first game, but I found a compelling story that tried something unique and dangerous, and mostly succeeded in my eyes. I was over the moon with the TV version of the story outlook. It was able to clean up the flaws in the game and present one of my favorite game stories to a larger audience who love it.
Maybe people love it, but I’m totally disappointed. Rather than fixing the flaws, the show just made them worse. The story of Part II contributes to the idea that it doesn’t silence this criticism, rather it doesn’t work. There is a delicate balance in the game, and sometimes it can be thrown away by minor changes, and Season 2 not only disrupted the balance, but pushed the story away from the beam. It also doesn’t help that the show insist on treating the audience as stupid.
At this point, you realize you don’t want to watch season 3. I’m sure Kaitlyn Dever will own it. She is the power of nature and screams this show with kicks and screams. Hopefully, Craig Mazin and Neil Druckman will respond well after being criticised.
But I’m struggling to believe I’m interested enough to give this version Our Last My attention no more.
Image courtesy of HBO
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