January 8, 2020
Princeton University recently sponsored and funded a very Catholic event as part of the annual human festival. This is a few hours of programs dedicated to the expression of St. Cecilia of Poetry, Painting, and Music, and the conversation between these artistic forms to surprise us and imagine God’s intentions. I did it. The event of that day contained songs and dinner from Salbresina.
In the first part of this episode, Thomas and co -host James Majuzky, the event organizer Joe Perez Benzo, the painter Andrew de Sa, and the singer Emily de Sa, the event and his humanization. We are leading a roundtable meeting to look back on the rescue effect. Participants. Joe explains how to explain the Catholic event that was provided by the Ivy League University, and how to recreate this success anywhere that another Catholic has put them. We will provide proposals about whether you can.
In Part 2, Andrew de Sa and the poet James Matthew Wilson looked back on unexpected events that one of Andrew’s paintings inspired James poems, which affected Andrew’s St. Cesillia’s paintings. Looking back on what you have (announced at Princeton Event). Artists have become aware of this mutual inspiration after the facts.
Part I
- Outline of the concept of festivals and events [4:32]
- Event religious population statistics [12:33]
- Combination of poems and paintings that draw attention to the audience [15:32]
- Singing in a secular space filled with sacred art, dynamics of visual elements along with songs
[18:15] - Andrew’s feelings about publishing his new painting for the event [20:04]
- Joe’s experience is reading Latin classics in the places they explain and the composition. Road to overcome the modern isolation of art works in the context of museums [22:33]
- Sing Salbresina at “Mixed Company” [27:25]
- Overcoming a little resistance by taking the Princeton Humanities Council on the event [28:50]
- Advice to host similar events in public space and home
[36:38] - Involved in the Carl Schmidt Foundation [40:12]
- Emily de Sa Walpe plays Gustav Horst’s “Jesus Sweet”
[46:00]
Part II
- Conductive impact between Andrew’s painting and James Matthew Wilson’s poem [48:31]
- You can open yourself to inspiration and association to make artwork more dense [54:46]
- Literature critic theory on the relevance of artists ‘intentions for viewers’ interpretation [57:17]
- Direct art forms to unite them [1:01:40]
- Liturand as a complete art in which various art forms flow [1:05:44]
Photo and video:
The passage of his flight paintings on Andrew de Sae Egypt’s mural:
https://www.youtube.com/watch?v=crilg2dtvc
The painting influenced these lines that James Matthew Wilson “I’m in a hurry to help the people who dropped your Fall”:
But all rising tensions must be nervous
To lend a form to what is true
And show peace as if it was an act
Then, draw the arc of flight over the transcendence.
Purification of all saints
It will be filled with a sloppy paint,
And the thoughts cannot understand or say
You have to be taught in the staging of theater.
These lines have influenced the paintings of St. Seseria in Andrew Desasasa announced at the Princeton event.
Joe Perez Benzo helps the tour gooser into the incarnation mystery, as James Majauski has seen.
Emily de Soupy plays Horst 4 songs for voice and violin At the beautiful Princeton University Museum of Art: https://www.youtube.com/watch?v=Ryhryvuvlfi
Last panel with Joe Perez Benzo, Emily de Sa, Andrew de Sa:
link
Poetry affected by Andrew de Sacilia’s paintings:
http://studioDesa.com/book
Website of Andrew and Emily de Sa: http://studioDesa.com/
Instagram’s Andrew de Sa: https://www.instagram.com/ajdesa/
James Matthew Wilson website: https://www.jamesmatthewwilson.com/
Being a human festival: https://beinghumanfestival.org/
John Doriden, Alexander EAST banquet: http://jacklynch.net/texts/alexander.html
Carl Schmidt Foundation: https://carlschmitt.org/
James Matthew Wilson, River of pure white concept:
https://www.wisebloodBoks.com/store/p96/the_river_of_the_immaculate_conception.html
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