Each week we update our best new song playlist with some of the most popular tracks, compiling the best songs each month in this segment. Here are the best songs from July 2025, alphabetical order.
Horn, “Massacre”
https://www.youtube.com/watch?v=bo1jtmfyyrw
Nick Cave and Warren Ellis’ 2021 song, “Carnage,” begins with childhood memories of a cave uncle who decapitated chicken outside a country house on Mount Martha. “The deer in the rain, frozen in headlights, is coming back into the woods,” he sings later. On the trajectory of the same name that led Antler’s first album in four years, such cruelty has no specific use. Beyond the muted key, Peter Silverman explains a series of violent incidents against animals. In turn, it appears to be the severity of the toad to fawn from its slow burning escalation. However, the spine-cooling refrain focuses on casual perpetrators who are barely paying attention to, rather than victims or their level of intelligence. The way he takes his breath and stretches between the words “accidentality” and “damage” is forced to acknowledge the suffering that even environmentally conscious people are honed.
Blood Orange, “Mind Road” [feat. Caroline Polachek, Lorde, Mustafa]
https://www.youtube.com/watch?v=a_0dykvcjce
Playing with Blood Orange’s latest single, you’re on vacation somewhere. It may be that the weather is different, or the phone is in plane mode, and it tries to trick your brain into a stable place. But your voice still strikes you in a good view in the mirror. Few artists can articulate this blurred, broken state with the same ghostly splendor as Dev Hines. He offers Lord and Mustafa a short but broken Elliot Smith interpolation, and carries Caroline Polacek with his own lush melodies. The beauty here is as undeniable as darkness, taking unscrupulous music in your mind, making it sound rich and silent.
Geese, “tax”
https://www.youtube.com/watch?v=phh3ovctzbg
On the surface, the storyteller of Geese’s new single seems surprisingly annoyed by the idea that he has to pay his taxes. “You better bring the cross,” Cameron Winter – had a chance breakthrough in his solo LP since the band’s last record. heavy metal – Bellows. “You’ll have to nail me down.” But deeper, and he sounds like he’s very committed to the overall morality of personal responsibility. “Doctor! Doctor! Heal yourself,” he commands. This is an excruciatingly self-involved set-up for the most ego-shattering jokes. “I will break my heart now.” Society – no, God – curse me.
They suck in water, “trainers.”
https://www.youtube.com/watch?v=bavej803tgm
Doug Durgarian does not assign subject to the line “treat death like a teacher’s pet”: I It’s shattered and silent, it’s possible you It’s just as self-impressive. But it hangs above the “trainer” like a dark cloud we. What makes them guts about a glass of water is reminiscent of the noise that is as loud as they get through it, and while most modern bands sing such lyrics in moody submission, Tagabou’s dissonance seems to explode aggressively against it. Quiet moments are necessary and extensive. “Dawn spreads over a dead sunset,” the Durgalic sings the thoughts of dying on an early walk to the store. At the end of the day, what you want is to teach you that it will live.
Creator Tyler: “Stop playing with me”
https://www.youtube.com/watch?v=pmlqekklwqs
Creator Tyler said, “Stop Playing Me.” Do not tap on the glass Getting a music video rarely sounds provocative. The rapper is already bringing us all together on the dance floor. He boasts effortlessly and I think most fans are familiar with thrilling. Unlike the comeback record by Clipse that appears in Visual, it’s not a game of who plays. It’s not even his words that tell most of the stories. The provocation lies above the cherry blossoms surrounding the baseline, beat muscles and advertising. They say it all: you know the game is already over. Now let’s have fun.
Water from your eyes, “Do classics”
https://www.youtube.com/watch?v=b6qut0re_8q
Before denounce water from cash eye at Brat Summer, think of “playing classical music” as a dizzying time travel. Last year, water from your eyes played the same stage at Primavera Sound 2024. BladeRelease of. At the time, it was hard to imagine Nate Amos and Rachel Brown making anything that sounded like a “club classic,” but there’s nothing unthinkable about music ventures for this band. If the previous single “Life Sings” blends the different influences of indie rock followers, “playing classical” channels its presence in the club through existential non-orders, “I was just caught up in the mall and just tried to make it.” These days, you may hear “apples” in places like that. “Performing classical music” remembers dancing like a dance.
Wednesday, “Pick up that knife”
https://www.youtube.com/watch?v=coaxlivzyqg
It’s funny how the alphabetical order lines up water with your eyes again on Wednesday. The former may remember Charlie’s 2024 set in Primavera, but Carly Hertzmann takes us a year ago. In “Pick Up That Knife”, the band slices the blurry space between relief and discomfort, taking advantage of the easy-going ort-country-to-full-band signature conversion. What distinguishes Hartsman’s writing is how she appears to have something to do with her to sing how her daily misfortune catalogue was “freely baptized and born in bondage.” She doesn’t just surge the storms on her bandmates. Her voice is on the brink of collapse. Because someone’s mark is so close to the edge, individual cases are more important than the state of mind they are making fun of. “One day, I’ll kill a bitch in my brain,” she sings. Instead, she flips the switch over and summons a distorted memory.
Source: Our Culture – ourculturemag.com
