Fifty years ago this month, Lou Reid nearly destroyed his career with one double album. Metal Machine Music In the three weeks of the summer of 1975, 100,000 copies were sold between release and removal from the market. Some of the many buyers who returned it quickly would have expected something like that Sally can’t dancea solo album by Reid from the previous year. That smooth-produced song fell more easily than what he recorded in the velvet underground. What they heard when they put their new album on their turntable (or inserting Quadroponic 8-track tape into their deck).
That explanation comes from Voluble cream He was a rock critic and one of the decadent enthusiasts Leicester Vans. Metal Machine MusicThe most enthusiastic defender. At one point he declared it “the greatest record ever made in the history of the human eardrum.” (“Number 2: Live kiss! ”)
Much of what we know about the intent behind this inexplicable album comes from Bangs’ writings, including those intended to transcribe a conversation with Reid himself, who was one of the critics’ most prepared oral sparring partners. As Reid explained in his bangs, the inspiration came from hearing about composers Iannis Zenakis and La Monte Young. Reed also claimed that he intentionally inserted small pieces of Mozart, Beethoven and other classic masters into his Sonic Mareelstrom, but Vans clearly did not buy it.
“Metal Machine Music Doesn’t it seem so strange now? “I asked interviewer Night flight It’s only been around ten years since the album was released. “No, isn’t it?” Reed says. “In light of Eno and all of these things that came out now, it’s not as crazy and crazy as they were back then.” Certainly it sounds like most works with influential works of ambient music like Brian Eno. Music for the airportAlthough the album was intended to calm listeners rather than push them out of the room. For half a century since its release, Metal Machine Music Earned enough gratitude to be paid compliments like Live performance by German ensemble Zeitkratzer It has continued ever since Reid’s death. His legacy of “composition of electronic devices,” He said after one such concert in 2007“Artists need to flip through records that sound like artists signed by the record company. Metal Machine Music. ”
Related content:
A huge anthology of noise and electronic music featuring John Cage, Sanra, Captain Beef Heart, and more (1920–2007)
Teenage Lou Reed sings doo-wop music (1958-1962)
Listen to Ornette Coleman working with Lou Reed.
David Bowie and Lou Reid perform live together for first and last time: 1972 and 1997
Lou Reed creates a list of the 10 best records of all time
DeMos of Velvet Underground Classics will be released by Lou Reed album: Listen to the early version of “I’m Waiting The Man”
Based in Seoul Colin marshall Write and broadcasting stationTS about cities, languages, and culture. His projects include the Substack Newsletter Books about cities And the book The Stateless City: Walking through 21st century Los Angeles. Follow him on social networks previously known as Twitter @colinmarshall.
Source: Open Culture – www.openculture.com
