Among the wonders to see in Vatican museums is the larger shape than the real thing of the Greek philosophical giant. It is widely known to be at the heart of Raphael’s fresco Schools in Athensruled over one wall of the 12 Stance di Raphael in the Palace of the Acts, Plato and Aristotle. In reality, of course, these two were not of the same era. For over 30 years, the death of the former was separated from the birth of the latter. However, in Raphael’s artistic vision, great men (and perhaps great women) of all generations gather under the banner of learning, from Anaxymander to Anagro, Epicurus, Euclidean, Parmenides and Pythagoras.
Even in this company, the person sitting at the bottom of the stairs catches the eye. There are several reasons for this, and gallerist YouTuber James Payne will lay out them His new Amazing art explained video Schools in Athens On top of that.
It appears to represent Heracritus, a socratic philosopher associated with ideas such as change and opposing unity. However, it appears that Raphael added him later. Then, after the photo section is already complete. A keen viewer may notice that Heracritus is rendered in a slightly different, more muscular style than that of the other philosophers in the frame.
In fact, Michelangelo worked at his Sistine Chapel Fresco at exactly the same time that Raphael was painting. Schools in Athens. As Payne says, it is entirely possible that Raphael has a glimpse of Michelangelo’s stunning work, then went back and added Michelangelo as Herecritas to his own compositions. There was a precedent for this choice. Rafael was already modelled after Leonardo da Vinci (who was incredibly alive and active at the time), and rendered an ancient painter Appel as a self-portrait. and Schools in AthensPayne says that Raphael “positions ancient philosophers as a precursor to Christian truth.” In a subtle way, he also emphasized how past geniuses are living, or rather being reborn in the present.
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Based in Seoul Colin marshall Write and broadcasting stationTS about cities, languages, and culture. His projects include the Substack Newsletter Books about cities And the book The Stateless City: Walking through 21st century Los Angeles. Follow him on social networks previously known as Twitter @colinmarshall.
Source: Open Culture – www.openculture.com
