Western culture says it has built entire myths about women’s blondeness, from religious iconography and fairy tales to art and advertising. In the early years of the film, comedies such as Platinum Blonde (1931) and Bombshell (1933), starring Jean Harlow, have a culturally richness of embedded concepts of engaging and devastatingly beautiful blondes. “The idea that you’re a bomb is almost like a weapon,” says Nead. “On the other hand, it’s this kind of ideal, but at the same time, it’s also threatening it.”
Before Harlow, the scene had another more natural look – blonde. Mary Pickford helped Amber Carl win her the “American Lover” name. But while Pickford plays an innocent girl waiting for rescue, Harlow’s peroxide blonde is given more power and paved the way for fair hair Femme Fatal The 1940s film Noir played the charming but charming women, such as Lake Veronica and Barbara Stanwyck, who used their wisdom to manipulate men.
AramieBlonde Ice (1948), starring Leslie Brooks as a sober adulterer, con man and murderer, takes advantage of the popularity of “Blonde Ice Queen” – the golden-haired hero Harrow, who opposes her dark intentions. This is a structure reexamined in the thriller’s Basic Instinct (1992), in which Sharon Stone plays the murder suspect, the calculus Katherine Trammel, who successfully seduces her interrogator.
Blonde hair, which tends to darken with age, suggests glow and childlike innocence. Femme Fatal‘Deception. In the postman, it always rings twice (1946). For example, Coramis (played by Lana Turner) invites her to help murder her lover, her husband, her perfect white wardrobe and baby blonde hair.
Source: BBC Culture – www.bbc.com
