We tend to imagine that older paintings have a calm yellow brown cast, but for no reason. Many of the examples we’ve seen in life really look like that, but not usually because the artist intended it. As Julian Baumgartner of Chicago Baum Gartner Fine Art Repair Explains The above video, The colours of these paintings have changed over decades. When such a coating is applied first, the hue below actually appears rich. Over time, alas, chemical changes, dirt and buildup of dirt can lead to a dull and sickly appearance.
“Many people say that varnish should not be removed. “It is the patina on the surface of the painting, which increases the quality of the painting. It makes the painting look better and make it look more serious,” says Baumgartner.
“All of these are interesting opinions, but they are all inaccurate. If an artist could paint a painting and paint a painting to cover the colour, then varnishing the artist should not imagine that the varnish would turn yellow or brown, or crack or cloudy.” The idea is to regain the colour to the way the artist saw them when the work first achieved its finished state.
There is the difference between painting and cast iron frying pans. But on one level, the actual labor of cleaning works of art – as Baumgartner speeds up with videos, cleaning the kitchen is different than you imagined. However, the results could be more impressive, especially for canvas like this, by providing the ideal means of showing the contrast between the colours covered in varnish and the same newly excavated colour. Currently, there is a formula that doesn’t change to yellow in exactly the same way, but a few artists stick to the classic Damard varnish, which has their own advantages.
Related content:
How Art Conservators Recover Damaged Paintings Fully: A Short, Contemplative Documentary
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Revitalize classic paintings with videos that inspire you by watching Art Conservators
Techniques for restoring 400-year-old paintings: a 5-minute introduction
Tate Modern Restore Mark Rothko’s Destructive Painting, Maroon On Black: 18 months of work condensed into 17 minutes
The joy of seeing old and damaged things recover: Why the world is fascinated by repair videos
Based in Seoul Colin marshall Write and broadcasting stationTS about cities, languages, and culture. His projects include the Substack Newsletter Books about cities And the book The Stateless City: Walking through 21st century Los Angeles. Follow him on social networks previously known as Twitter @colinmarshall.
Source: Open Culture – www.openculture.com
