By writing this review I’m already breaking the first rule involved Do not tap on the glasscreator Tyler’s ninth album: “Body Movement. Don’t Sit Still.” The rap superstar is ahead of the critics with the second rule, as laid out on the opening track. (“Nothing of that deep shit,” he adds to the background, revealing that he is primarily working on himself.) The third and nominal rules are the most vague, somewhat reflecting the record balance. ChromacopiaIt also has no choice but to attach itself to Tyler’s self-mythic Canon in a mature, often meta-like way. Do not tap on the glass You need to keep long-time fans engaged long after the party is over, but for at least 29 minutes, it lifts you up and cools you down. Good dance music not only moves you, but also makes you forget yourself for a while. For an artist conscious of his ego as creator Tyler, it is not a small feat.
1. Big Poe
Introducing his new characters, Tyler and creator list Do not tap on the glass“The Rules of Engagement. However, sitting doesn’t seem like a small option as soon as the interpolation that starts a Basta Raimus party passes “Courvoisier Part II.” “The rumored Farrell feature has been confirmed, but thanks to Junun’s elegant sample of “Roked,” it’s a much more unexpected Jonny Greenwood credit. So far, it’s easy to curb the urge to analyze this. How much can you say about “Mario Now, Pipe Down,” besides pointing out that in the “Play with Me” video it resembles the superstar red cap Nintendo mascot?
2. Sugar on my tongue
The opening track flows into a frenzied Italo disco with the buoyancy of “My Tongue Sugar.” Don’t fall into the trap, as Tyler certainly wants to make every critic and genius annotator out there look stupid to explain the honorable e-song representation. Go ahead and dance.
3. suka free
In addition to its instantly catchy “I’m That Guy” refrain, the track is the most memorable thing for the rapper’s switch to California accents. It’s refreshing and confident, and the synths try to reduce intergalactic sounds like thick summer air.
4. Mommam
Then comes the pure heat: high-pitched thread that sounds like a sign of chaos, the free ID of someone who can’t breathe: “Battle it, exhale, take it out, haa, it’s in my mamanem,” the chorus goes. The beat is exhilarating, thunder thundering for a while, but the responsiveness simply fests. If there’s nothing else, it will keep you at the edge of your seat before you return.
5. Stop playing with me
The only album track to get a music video – Clips’ Pussia T and Maris, LeBron James and Mab Carter cameo “Stop playing with me” Ratchies’ energy to ratchet on techno-based, taking Tyler’s demonic sneer to the next level. Move with me, he still commands, but keeps your distance. “You and the others” he raps hilariously when I crash this plane. “I hate break, I don’t play games.” Still, it sounds like he’s not doing anything more fun than this in years.
6. Ring ring
Even in his party records, Tyler is craving space for vulnerability. Flower Boy And the emotional dynamics of phone calls, or more specifically, punches to the ego, which is an unanswered phone. “I had to let my heart go/and I’m so tall, look at the wall,” he confesses, sounding as smooth as ever.
7. Don’t tap that glass/fine tweak ‘
Tyler will do another 180 on the bone-shaking New Orleans Bounce of the title track. As has become a tradition of rapper discography, it is the two of the climax, and that most thrilling moment hits when he draws the words Tweakin’. But the most quota line is, “You have to lie, we can smell Ozempic.”
8. Don’t worry about your baby [feat. Mansion McFerrin]
The track is a showcase of Madison McFarrin’s soft vocals, but “Ring Ring” is a much stronger and catchy neo-soul cut, Do not tap on the glass You rarely need those two. Tyler repeats that central message – “Damn, girl, you moved your hips!” – but this is the moment when you might find yourself taking a break.
9. I’ll take care of you [feat. Yebba]
Tyler continues to take the backseat and spins a sample of “Nak if you support” of the crime mob and a sample of his own drums Cherry bomb – Both anthemic and nostalgic. “Wait a second, I’m going through the shit/I can say it doesn’t work,” admits Tyler. Do not tap on the glass It’s beginning to feel like a trace of the past. He falls into self-referentiality even when it is meaningless. This is a typical Tyler.
10. Please tell me what that is
The party closes for a while, but “Tell Me Me That It’s” is an emotional send-off that discovers that Tyler opens up more than he has in his past three tracks. “I can buy a galaxy/but I can’t afford to look for love,” he sings, wondering if there is traffic in his soul. If half of the record celebrates Tyler smashing the glass ceiling of fame, he lends weight equal to the other half. It’s a short one, but the album journey is satisfying but unresolved, and an invitation to a party that leaves you with questions larger than you expected. Tyler asked these things earlier in a more elaborate and conceptual way. But sometimes, the truth strikes even more violently as sweat drips down your spine and your breath fades.
Source: Our Culture – ourculturemag.com
